It’s been a long time coming, but with a slight push from CZT, Sue Clark, I finally finished my illuminated letter from the workshop she hosted at the end of April. I have to say with everything in chaos in my life/house the pressure of doing a ZIA kind of got me on this one. I’m not quite 100% certain this is done, done. But it is done until the move is over and I’m settled in Alexandria for sure. I’m kind of feeling like I need something more in the background in the upper left. Something open and light like the n’zeppel perhaps? We’ll see how I feel once I unpack it.
I was a bit unsure how to shade vitruvius, but I’m pretty happy with my decisions to outline the squares with graphite and then darken the center and the very outside.
We got to use Sue’s Fine Tec metallic watercolors at the workshop. Because part of the draw to Zentangle for me was doing letter work like this those watercolors are going at the top of my post-move wish list! They were so easy to work with and the result is much closer to actually gold leaf than any other gold pen or paint I’ve worked with. I was even able to layer a bit to create some shadow and highlight!
I used some Japanese pearlescent watercolors on the poke leaf. I like that it gives some sheen to kind of blend with the S, but it lets the gold take center stage.
Sue just posted everyone’s letters here. I highly encourage you to go check them out. There is such a variety in styles and they are all inspiring and gorgeous!
Kristi~ This is sooooo beautiful! I’m glad that you showed closer details, to really do it justice!
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Thanks Holly! I wasn’t feeling like the inclusive shot really captured the real essence of the tile in person. And, I’m just always enamored with the process of shading, LOL!
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